Academic Archers Bibliography

This is a sample of the material I used for today’s talk at the Academic Archers conference.

I’ll follow it up with a longer blog on some tangential themes on Monday or Tuesday.

Cardoso, L. et al. (2017) ‘Film induced tourism: a systematic literature review’, Tourism & Management Studies, 13(3), pp. 23–30. doi: 10.18089/tms.2017.13303.

Fawcett, C. and Cormack, P. (2001) ‘Guarding authenticity at literary tourism sites’, Annals of Tourism Research, 28(3), pp. 686–704. doi: 10.1016/S0160–7383(00)00062–1.Li, S. N. et al. (2017)

‘The economic impact of on-screen tourism: The case of The Lord of the Rings and the Hobbit’, Tourism Management, 60, pp. 177–187. doi: 10.1016/j.tourman.2016.11.023.

Lieux d’imagination: Voldemort’s grave as tourist highlight | by Media Radboud | Medium (no date). Available at: https://medium.com/@radboudmedia/lieux-dimagination-voldemort-s-grave-as-tourist-highlight-f075c8588206 (Accessed: 17 January 2021).

Pearce, P. L. and Moscardo, G. M. (1986) ‘The Concept of Authenticity in Tourist Experiences’, Journal of Sociology, 22(1), pp. 121–132. doi: 10.1177/144078338602200107.

Bengesser, C. and Waade, A. M. (2020) ‘Smart crime tourism as multilayered cultural encounters: Exploring aarhus via locative media and crime narratives’, European Review. doi: 10.1017/S1062798720001155.

Carl, D., Kindon, S. and Smith, K. (2007) ‘Tourists’ experiences of film locations: New Zealand as “Middle-Earth”’, Tourism Geographies, 9(1), pp. 49–63. doi: 10.1080/14616680601092881.

Filmer-Davies, K. and Filmer-Davies, K. (1996) ‘Welsh Myth and the Sense of Belonging’, in Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, pp. 1–16. doi: 10.1007/978–1–349–24991–6_1.

Cohen, E. (1988) ‘Authenticity and commoditization in tourism’, Annals of Tourism Research, 15(3), pp. 371–386. doi: 10.1016/0160–7383(88)90028-X.

Ford, S. (no date) ‘View of Soap operas and the history of fan discussion | Transformative Works and Cultures’. Available at: https://journal.transformativeworks.org/index.php/twc/article/view/42/50

Hudson, S. and Ritchie, J. R. B. (2006) ‘Film tourism and destination marketing: The case of Captain Corelli’s Mandolin’, Journal of Vacation Marketing, 12(3), pp. 256–268. doi: 10.1177/1356766706064619.

Irimiás, A., Mitev, A. and Michalkó, G. (2020) ‘The multidimensional realities of mediatized places: the transformative role of tour guides’, Journal of Tourism and Cultural Change. doi: 10.1080/14766825.2020.1748884.

Mapari, D. (no date) ‘Hiraeth: Home in the Mind and Mind in the Home’. Available at: https://www.academia.edu/36932630/Hiraeth_Home_in_the_Mind_and_Mind_in_the_Home

Reijnders, S. (2010) ‘Places of the imagination: an ethnography of the TV detective tour’, cultural geographies, 17(1), pp. 37–52. doi: 10.1177/1474474009349998.

Tzanelli, R. (2003) ‘“Casting” the neohellenic “other”: Tourism, the culture industry, and contemporary orientalism in “Captain Corelli’s Mandolin” (2001)’, Journal of Consumer Culture, 3(2), pp. 217–244. doi: 10.1177/14695405030032004.

Wright, J. K. (1947) ‘Terrae Incognitae: The Place of the Imagination in Geography’, Annals of the Association of American Geographers, 37(1), p. 1. doi: 10.2307/2561211.